Aquí van unos fragmentos en unos tweets que el programa #pieces de la #rtpa emitió sobre nuestra instalación en @LABoral 👇

No podemos estar más felices de todos los trabajos artísticos que tuvimos la oportunidad de llevar a cabo este año. Un placer compartir experiencias produciendo y colaborar con todo tipo de personas y organizaciones artísticas, educativas, etc de la peninsula.
feliz 2023! 🌿❤️ https://twitter.com/i/web/status/1609170003810738179

El pasado jueves día 15 inauguramos una exposición llamada #Exobiomas en @alalimongaleria (Barcelona). Estará abierta al público hasta mediados de febrero en el horario de la propia galería (del 22 al 9 de enero cerrado por vacaciones) 😘🌿🌱

Bueno pues aquí ya no hay vuelta atrás y mañana inauguramos la exposición titulada #Exobiomas en la galería @alalimongaleria

Sí no tenéis la oportunidad de pasaros, tenéis hasta mediados de febrero para hacerlo ✌️😅🌿

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SCALA NATURAE

Scala Naturae reflects on various contemporary issues and speculates on the end of anthropocentrism. Although the concept of scala naturae was structured based on the human being placed at the top, we propose a new situation: to include in this scale artificial entities with which we interact on a daily basis, without necessarily understanding their processes, their logics and resolutions. These entities, the machines, despite being created by man, it is evident that every day they need us less, since they do not even understand the world in the same way; their perception and capabilities are radically different from ours.

We propose the chapel as the very structure or framework of a great machine whose internal processes that are usually far from our perception and therefore our understanding, are here exposed, magnified and become the very aesthetic engine of the work.

This machine acts in a self-sufficient way, preparing texts, encoding them, printing them back and ultimately, following a digital and mechanical process for which it does not need us at all. However, the very act of actively observing will make the installation impregnated with our presence, and in the same way that a moth or speck of dust, people will be able to alter the system, causing the final impression to contain in its error, the memory of our presence.

Winning project of the IV Barjola award.

Format:
Light installation, big size. 80 leds units x 60x60cm. Space model, computers, electronic devices.

Credits:
Concept / production / design  : Román Torre y Ángeles Angulo.
Photo – Video: Marcos Morilla / RotorStudio
Graphic design: Marcos Recuero

Shows:
Capilla del museo Barjola | Gijón (Asturias)